the mask as fashion accessory
dan dy-liacco
In Metro Manila, masks are no longer required in most contexts. However, as Lolita, Ouji, and Aristocrat fashion enthusiast, I still like to incorporate masks into my outfits.
Lolita is a street fashion developed in Japan, which takes inspiration from Victorian and Rococo fashion, and utilizes plenty of accessories to create detailed, coordinated looks known as “coords.”
Ouji (also known as boystyle) is the masculine counterpart to Lolita. With shorts or pants rather than the bell-shaped or A-line skirts of Lolita, Oujis dress to evoke the look of a young prince. A more mature masculine look (such as the one in black photographed above) would fall under the Aristocrat J-fashion style.
One of the most important principles in this family of styles is coordination. The colors and motifs in a coord should play well with and complement each other, such that each individual element in an outfit looks like it belongs to the greater whole.
Through this approach, the mask is another instrument I can write a part for in the symphony of my outfit. So rather than interrupting the flow of the music, the mask harmonizes with the rest of the ensemble.
One of the things I enjoy about Lolita and related styles is how I can build my wardrobe over time, reusing clothes and accessories in new ensembles.
As I add pieces to my collection, I can return to concepts and themes from coords that I enjoyed and tackle them again with more experience and skill.
When it comes to accessories in Lolita, more is more. Going “over the top,” or OTT with accessories is a valid way to wear Lolita.
It’s also acceptable to find uses for accessories outside of their intended purpose. This mold-breaking use of accessories is such a staple in the community that designers in this space build versatility into their pieces.
For example, the rose corsage made by Filipino designer Fancy Moi has both a hair clip and a safety pin on the back. This allows me to wear it in my hair, pinned to my lapel or hat, or numerous other creative ways I may yet discover.
On the Metro Manila transit system, where masks are required, mask chains and mask cords are a common sight. They allow one to take off their mask without needing to stow it away.
I wanted to try incorporating mask chains into my coords. However, I couldn’t find ones that suited my aesthetic. So I decided to design my own.
I first started designing and selling jewelry back in 2015. I named my shop GleamTrove, in theme with the fantasy-inspired designs of the shop’s offerings.
I primarily sold my jewelry at pop-up events in Metro Manila, such as conventions and bazaars.
Since what inspired my personal fashion also inspired GleamTrove’s designs, I also found customers among my friends in the Philippine Gothic and Lolita community.
In 2020, when the pandemic began, GleamTrove went dormant. It wasn’t until conventions started happening again in 2022 I began to revive my brand.
I wanted to make mask chains that would be suitable for Lolita fashion — both in aesthetics and versatility.
I used beads made of iridescent glass or semi-precious stone, and spaced them out to give them a delicate, classy look.
I took some novelty claps (shaped like flowers, hearts, and other cute symbols) which I’d previously only seen used in keychains, and incorporated them into the design of my mask chains.
These large clasps are detachable — they connect to the mask chain at the smaller lobster claw clasps, and the mask chains can be used with just these smaller clasps.
I also made designs in pride flag colors. As a nonbinary person myself, a mask chain in my pride flag’s colors was one of my first prototypes.
I’m hopeful about finding customers for my mask chains at the local Lolita fashion convention, Lace Up, and at Metro Manila Pride. I’m also making my mask chains available online, through GleamTrove’s Instagram (@gleamtrove).
Like a thoughtfully-chosen mask, a mask chain can add color and interest to an outfit. It can tie disparate elements together, or carry a motif. These accessories can be more than just practical necessities — they can be objects of beauty, and avenues of creativity and self-expression.
about the creator
Dan Dy-Liacco (they/them) is an illustrator, graphic designer, and jewelry crafter with ADHD from the Philippines. They co-created the award-winning comic “Flow”, published in the anthology Komiks Cum Laude. Their map illustrations have appeared in the fantasy novels Astrid’s Apostle and Daughters of Astrid. Their illustration “Welcome to Wonderland: Tea Time”, winner of the 2022 Welcome to Wonderland J-Fashion Art Competition, will feature in the upcoming volume of Lolita fashion magazine Lolita Memoires. They can be found online under the handle @DrawnByDandy. Their jewelry shop can be found under the handle @GleamTrove.