bull in a china closet: excerpts
elle hong
Bull in a China Closet is a dance film that highlights the artist’s attempts at portraying a deeply layered, queer identity. Combining dance/performance, text, and cinéma vérité, elle demonstrates the tension and confusion of a trans person working to exteriorize their interiority, or, working to create an outward-facing image that more closely resembles the image they envision for/of themself. In Bull in a China Closet, elle attempts to give the full fantasy of her idealized gender archetypes, while leaving space to contemplate the process of creating new genders, and ultimately, new worlds.
In these two excerpts from Bull in a China Closet, elle wears largely thrifted/gifted clothing items with the exception of white gogo boots from Unique Vintage, and a green sock-bustier dress crafted by queer designer YARD666SALE. These garments contribute towards a somatic costuming, or, a technique that relies on how embodiment changes dependent on the costume worn by the dancer.
audio descriptions & transcript
A white runway appears on a dance stage. A figure in front of a clothing rack is standing at the back.
They start to strut forward.
Lighting reveals elle hong, a blonde east Asian trans dancer, walks to the front of the screen. She’s wearing a faux fur coat, a black and white striped mod dress and white go-go boots.
They pull the coat down to reveal their shoulders, turn to the back and strut. They turn to the front, strut down the catwalk slowly, then faster.
She stops mid-runway to pose. She claps her hands in time with the beat above her head. She begins to sassy catwalk, vogue hands swirling around her face. She turns her back on us to walk to the back of the runway.
The leg passé’s over with side arch.
Spiral step.
They walk forward and pose with one arm up and one arm to the side. They slowly turn without breaking the pose.
She starts vogue hand performance again, pantomiming a compact and putting on makeup. She goes into tutting type moves,
pointing twirling fingers.
Back it up
Back wrap, back wrap
Parallel passé
Hair flip and spin
Spiral turn
Walk back
Lifting hair up
Duck walk with head flip up to the beat
Ancient Egyptian hieroglyphic poses
Hand flips up and down
Hip left right
Step side touch
Dramatic reach out and in
Chassé chassé
Double beat sink
Running in place
(Energy builds)
Hand performance
Squat with body roll up
Soutenu turn with opposing spiraling arms
Attitude, kick back
Strut strut fade out
(Outfit change and lighting change)
Pink lighting
Burnt orange and black letterman’s jacket style faux fur coat with a knit green colorblocked dress under
Dramatically remove hood
Turn and discard coat
Start tap dancing to the music
Camera reveals they are wearing beige character tap shoes
Grapevine off the runway
And come back to do the same hands performance pantomiming a compact and doing makeup as before
Chaînès turns and spinning to the end of the runway
Step shuffle hop step turning back to the front
Spin and lose steam
Stoic pause hands on hips
Magically a fabric covered platform slides in.
They sit.
Cut to laying on platform while it spins with one leg crossed over knee.
Cut to pose upside down one leg pointed up into air with left foot scissor kicked forward on spinning platform
Cut to standing posed on spinning platform
Sexy reclined vamping pose on spinning platform
Get up and walk off stage while fades to new look and green lighting
Barefoot dark blue velour with green cast under lights. Oversized hoodie looking menacingly possessed with hair now messy and half put up and distressed rash-like makeup with dirty lips.
Repeat pantomiming vogue hand performance but more intensely
Hair in face
Whipped spiral turn
Flash warning starts
Repeated attitude flailing spiral turns
In wild energetic manner so that the hoodie whips through the air sometimes revealing mint briefs
Down runway
Up and off runway
Walk back to center
Cup back of head, 2 body rolls
And turn to walk back
2 body rolls, pivot
Walk up runway
2 body rolls pivot
Back down runway
2 body rolls pivot step
Pose hand to stomach and face
2 hip beats with contraction
Rhythmically collapsing in phases
Until final slumped position
Fade to back
(Flash warning ends)
Camera follows rick backstage to green room
They sit in front of makeup mirrors with scattered makeup all around.
Pull off false eyelashes
Takes a makeup pad and wipes off makeup
(Speaking)
Stares at self in mirrors
Fade to black
Elle wearing a pink satin spaghetti strap dress laying on a black Marley dance floor
Slow rise to sitting
Turn to pensive sitting position
Looks into the light and rises
Breathes
Pulls skirt of dress up in front of face
While slowly turns
Camera pans around them.
Drop skirt down into chaînès turn
One chaînès circle body arch
Side attitude strike
Jump fall and release
Front attitude
Passé down
Roundhouse kick with jump and turn
Glide step
Chaînès turns with “S”-shaped arms
Arch back to floor
Turn to fall forward to ground
Pull back through child’s pose
Impressive body wave to standing from the floor
Glide steps
Crouching running step with side swoop pushing air
Spiral turn
Back hitchkick
Land
Walk back arm raises and gently falls in response
Jetè spiral turn
Grand battement with opposite arm reaching
Spiral down to the floor
Twisted frog kick turning back
Attitude kick turning back
Arch up to stand
Glide step arms to the sky
Spiral turn
Run diagonal towards center stage
Scoop step
Elbow jab back
Chassé jump turn
Butterfly kick twirl
Chaînès arms bent at side
Collapse down
Breathing heavily collapsed on floor
Crawl towards center stage
Collapse into fetal position
Continue to Crawl
Sustained crawling head down hair brushing ground
Fade to black
about the artist
elle hong (they/she) is an anti-disciplinary artist, writer, and educator from the occupied lands of Kanaka `Ōiwi (Honolulu, HI). Currently based in Cheyenne/Ute/Arapaho Territories (Boulder, CO), they received their MFA in Choreography from the University of Colorado Boulder with a graduate certificate in Emergent Technologies & Media Arts Practice. Her work spans through dance, media arts, writing, music, and pedagogy - often bricolaging them into performance. elle is invested in the potentials for decolonization, queering, and world reimagining made possible through the container of performing/visual arts. elle has worked with and studied beneath noted dance makers/scholars including Michelle Ellsworth, Rennie Harris, Darrell Jones, Katja Kolcio, Bebe Miller, Eiko Otake, Nicole Stanton, and Helanius Wilkins. Through written and embodied forms of creative research, elle calls for a dismantling of the systems that enforce control over our abilities to liberate our social bodies.